Last Saturday, the Eggerts and I were up and out the door by 4:30 AM to travel to the northern city of Bagan. Though I usually dislike flying, the view out the plane window made up for the recycled air and unending battle for the tiny armrest. In the weak light just after daybreak we could see the tips of thousands of pagodas stretching toward the horizons, scattered amid a red desert landscape and the winding muddy Irrawaddy River. Though we got much closer to many of the temples during the course of the weekend, this birds-eye view was the only one that really displayed the manpower devoted to erecting all these places of worship. It is said that during the Bagan empire's peak, a new temple was started every few months.
I happily noted the dry air once we got off our dinky plane and onto the tarmac. In fact, the low humidity, sandy roads, cacti and dry brush reminded me of southern Utah! (Don't worry, I was only homesick for half a second before I got distracted by some awesome local art.) Since peak tourist season is during the mild winters, after the wet monsoon months (which are now) and before the unbearable hot season in spring, the city was relatively uncrowded. Our hotel staff, whether they were just glad to have any customers during the slow season or because they're always super friendly, were incredibly welcoming and hospitable. Our room greeted us with freshly sliced fruit, tea, a river view and beautiful (but deadly) teak floors. It took me an embarrassing amount of time to figure out a safe way to walk from one end of the room to another without slipping!
Since we wanted to take full advantage of our limited time, we immediately set out into the city after we dropped off our luggage. We hopped into our mode of transport for the day, two horse carriages owned by a local named Zin Zin. Used to guiding tourists through the maze of shrines and sandy roads, he helped us navigate our way and helped weed out the less impressive temples. Without him, most of our time would definitely have been spent lost and oblivious to the history around us, since there was literally a temple or a pagoda every few hundred feet.
The sandstone temples housed thousands upon thousands of Buddhas in every shape, color and style. Some of the Buddhas were laying down, depicting the death of the Buddha,
some were smiling, some were leafed in gold, some were teak, and we even
saw one lacquered Buddha. Many had been recently recreated since an earthquake had struck the region several decades earlier. Some, though, were left intact to decrepitly observe the changes brought during the hundreds of years since they were first erected.
Of course, you can't go to Bagan without seeing lacquer-ware. The region is known for producing the best quality lacquer in the country, though the trees whose sap is required to make the materials grow only in higher elevations. There were vendors on every corner and at every temple, all claiming their families crafted the pieces themselves. Lacquer producers can also train at craft shops, one of which we visited after our temple-hopping (it was a busy first day!)
| The different steps each piece of lacquer-ware undergoes to become a finished piece, starting at the bottom left with the woven bowls and progressing counter-clockwise |
The next day went by even faster than the first. Rather than ride in horse carriages, we decided to rent bicycles for the day and explore the area at our own pace. Following a self-described guide, twelve-year-old Zu Zu, we tried to stay upright on our one-gears in the thick sand while simultaneously appreciating the surroundings. Honestly, all the temples all started blurring together after a few hours, so eventually we retreated to our favorite (or maybe only my favorite?) vegetarian restaurant. Goal of the summer: recreate their tamarind-leaf curry.
Unfortunately, that was all we had time for. We flew back that evening feeling like our time had been cut short. There's nothing like going out for a stroll (in the nice dry air) to the market and passing dozens of ancient relics along the way.


